Matteo Veronesi said ... Film
deliberately untypical, alienating, unsettling, which combines history and reconstruction, or "metabolism" of history, identification between actors and characters and total lack of identity (a theme, this, Pirandello), longing for a love and desolate loneliness that are reflected one another. Enchanting, mysterious Teresa, elusive beauty, fresh and spontaneous but at the same scornful: just the ghost of a character, shadow vagolante and elusive, and its final fleeting nudity is, perhaps, precisely, this condition of "bare form, without the idea of \u200b\u200bpure time (one of nudity less free, more necessary and significant, that I have ever seen on screen). "State mortal," and together, at least for a while, "was sweet," as between the serious and the facetious, but with words of Leopardi, director at the beginning, is our life, and all of life ' art: torn between desire and fantasy, passion and evanescence. Maybe a little 'handwriting, a little' too viscontiana, the scene of the masquerade ball, perhaps a bit 'cute in black and white sequences, but the film as a whole is a small miracle in Tuscany, that only the prevailing conformism and lethal prevent, unfortunately, to show in schools.
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